Showing posts with label sewing. Show all posts
Showing posts with label sewing. Show all posts

Sunday, July 27, 2014

Why Have I Become So Lazy That I Can't Write a Post That I Took Pictures for 3 Weeks Ago? A Modest Answer.


A couple of weeks ago, waaaaaaay before the wedding, my sister and I went shopping together for a dress for her to wear to my DD's wedding. She found "the perfect dress" almost. My sister doesn't want to wear a plunging neckline, and this dress had one, but we decided to fix that with a modesty panel. Also known as a chemisette, dickey, or mock camisole, it is easy to make and utilitarian. A modesty panel fills in the space that a plunging neckline does not hide.

You can buy modesty panels. I have a couple that I purchased. They look like the top edge of a camisole worn underneath a dress or top with a low neckline. But like many other things, I have never made one. But why not try one since I just made my first couture wedding dress with some success. So here is my DIY Modesty Panel.

We went to our local big box fabric store and picked up a black lace and a tan/beige/taupe colored fabric for the base. These were both colors in her dress. We looked for a lace fabric that had a nice finished edge. Not all lace has finished edges, so if you want to do something like this, look at the salvages to see if you like the edge.




The first thing that I did was fold over the edge of the taupe fabric to get a smooth straight edge. The wrinkled seam was taken care of by a warm iron. Next, I lined up the black lace so that it was even with the fold in the taupe fabric.





My sister was not interested in modeling for the next step (there is that modesty thing again), so we measured her bra from strap to strap while she had it on. But, so that you know what it is that I mean, here is a photo of that step while the bra is on a hanger. But remember to wear the bra when you are measuring it. The width will be different than a measurement on just a hanger!



Using the measurement of strap to strap, cut a piece of fabric that resembles the shape in the picture to the right. The top of the fabric should be the width of the strap to strap measurement and the length should be at least a couple of inches longer than the plunge in the "V" of the neckline.

I pinned both pieces of fabric together and used a grid ruler and rotary cutter to cut out the pieces.
Using thread that matched the lace, I tacked down the top edge of the lace to
the backing fabric. This made sure that they now acted as one piece of fabric. As you can see on the right, all I did was catch a few places -- most of the thread is on the backside.

I then pulled out my serger and went around all of the other edges to keep the two fabrics from separating.


While I had my serger out, I made two small strips about 3 inches long. One end was attached to the top of the modesty panel with a couple of stitches.  And the final step was to attach snaps so that it will be able to hang onto each bra strap.

I think it turned out well and my sister loved it. It was the perfect touch for the dress and worked well to achieve her desire for modesty.

Happy Sewing!

Monday, July 21, 2014

The Wedding Dress - Worth Every Stitch

Unfortunately, iPhones do not take really good wedding photos and the photographer's photo's are not available yet, but I have waited long enough to share the pictures of "the dress".

from the fitting
It was a lot of fun to see "the dress" in action! It had just the right amount of bling! I really have nothing else to say. But here are several pictures taken at the wedding and also of the fitting a couple of months earlier. In the picture below of the fitting, I had not yet made the last and shortest of the three layers of the organza over-skirts. She wore only the two shortest layers of the over-skirts for the reception.

The short skirt worked out really well for the reception. She looked so cute and it was so much easier for her to enjoy the dancing.
from the fitting


Sunday, April 6, 2014

The Wedding Dress -- Quick Update with Photo


I just saw online that the applique has finally made it out of Istanbul and into a New Jersey US Postal Service Facility! Thankfully, it should be here sometime next week. The above trim made it all the way from China last week and is much prettier in person than in the photo above.

I should be done tacking all of the inside seams down on the dress soon. Then I can begin on putting in the lining and applying the sparkles! The last thing will be the fluffy over skirt.

Happy sewing!

Tuesday, April 1, 2014

The Wedding Dress -- Notes to Self

While I continue to work on tacking down the seemingly unending miles of seams, my mind keeps running ahead to the ruffled overskirt. The more I think about it, to get the look that DD wants I can't use chiffon as I first thought. It isn't stiff enough to have the bounce and body that she wants. So I think that I am going to be using organza.

I have received some of the sparkly trim for the dress. Unfortunately part of it is sitting in a postal facility somewhere in Turkey and I am beginning to get nervous!

Happy Sewing!

Wednesday, March 19, 2014

The Wedding Dress -- The Zipper Is Stronger Than I.

hand basted zipper

DD must have tried on the bodice a dozen times over the last couple of days. I kept adjusting the folds of the wraps and the fit of the base bodice. She wants the wraps to be fairly snug, but try as I might, I could not pull the zipper side together and get pins to stay. My fear was that I had not cut the bodice pieces correctly and it was not big enough (even though the muslin had fit like a glove). So, I decided that I would hand baste the zipper into the opening and see what happened.

zipper in wedding bodice
After reviewing the section on adding a zipper to a garment in the on-line couture class that I took last summer, I carefully pinned one side of the zipper to the bodice and hand basted from the top of the zipper to the bottom. Repeating on the other side from bottom to top, I finished the zipper. It was pretty hard going in a few places as there are several layers of fabric with the folding.

Then came another try with DD. After all of the tugging and pulling and worrying that it was too small; the bodice zipped up without a hitch!!! In fact, I will actually have to take in both the side seams and re-position the zipper because it isn't snug enough!

I followed Susan Khalji's advice in the video regarding not using an invisible zipper because they cannot take the stress that a regular zipper can take. DD certainly does not what a sudden popped zipper to ruin her wedding ceremony. I did not do a great job at getting the sides of the zipper to close completely over the zipper. But, since I have to take out the zipper and re-position it, I have another crack at getting both sides to meet. Then, I will handpick the zipper permanently in place. I am not worried about the zipper in the skirt as that does not require as much work and there will be less stress on that zipper.

I have added a couple of excellent links below on handpicking zippers. This couture step, when done correctly, is both beautiful and strong!

Sew Me Love
Threads Magazine Tutorial

Additional Note: By the way, I had read where silk shouldn't be pinned in the body of the dress as the pin marks could leave a permanent mark. I am thrilled to report that this dupioni is VERY resilient! I have even taken out seams sewn on my machine and no marks have been left. This fabric's biggest challenge is that it frays so easily. It does not take much at all to have several loose threads hanging. I think it could fray if you stare at it too hard!

Happy Sewing!!!!

Monday, March 17, 2014

The Wedding Dress -- The Week Long Fitting


My DD arrived on Friday afternoon and kind of expected to see a semi-assembled wedding dress, however, time got away from me last week and I had not finished assembling the bodice to the point that she could try it on. One of the problems that I had to work through (and that slowed me down a bit) was the fact that I could not fold this fabric as evenly as the muslin. I tried for a couple of hours to get the fabric to fold with nice even folds as I did in the muslin a few weeks ago. I ended up going with a compromise between the gathering and the folds and folded the fabric more casually with uneven layered folds. My guess is that the wraps' underlining may have made it more difficult. DD did not have a problem with it and I think that it looks pretty good the way that it is.


I got to work and finished basting all of the pieces together and she was able to try it on the first time Saturday evening. I had to make some adjustments to the bodice in several areas. Some areas had to be let out and some areas had to be taken in a bit. Then, I used my sewing machine to sew up the three seams in the back of the bodice and the two seams in the front of the bodice. At least something was "done".

Next, I sewed up the top of each boning channel so that the boning had a stop at the top edge of the bodice. Then I slipped in a length of boning that extended out past the lower hem allowance. I could have trimmed it off at that point to the battom of the bodice, but I didn't. Why? Well, because I didn't know where we would end up making the bottom of the bodice yet!






We are pretty close to the point where we will cut them off and bind up the bottom of the channel as well just above the hemline.









Next, I started cleaning up the seams of the bodice after sewing the panels with my machine. I trimmed the seam allowance to approximately an inch and ironed each seam, using a tailor's ham for the curved seams at the bust and waist. It was necessary to cut into the seam allowance to allow the seam to open or close with the curve.




Then using the catch stitch, I fastened each loose seam allowance to the interlining. This will create clean smooth seam lines where the allowance stays put and does not bunch up. It also covers the channels for the boning giving it an extra layer of cushion between the bone and DD's skin.







There is still a lot left to do. We've tried it on three times and made adjustments each time. As soon as I am done with all the catch stitching, we'll need one more fitting and then I can put in the zipper.

Here is just a peek! Sorry, I can't give you more, but Mom promised DD.

Happy Sewing.

Sunday, March 2, 2014

The Wedding Dress -- Lined With Gold


The cream colored dupioni for the bodice and skirt lining arrived last week and yesterday I got right to work on the dress. Last week, while I was waiting for the fabric to arrive, I had cut out the underlining for the bodice. When DD and I went to Vogue fabric when she was here in November, one of the things we bought was cotton crinoline to use as the interlining for the bodice. Back last fall when I practiced putting boning in a bodice, I used the casing that came with the plastic boning. But it really was very thick -- kind of like heavy muslin -- and I wanted something much smoother and less bulky.

Lucky for me I remembered a blog that I read at Gertie's Blog for Better Sewing on using the underlining fabric to create your own channels for the boning. What a great idea!

The first thing that I did was cut 1 1/4 inch pieces of the crinoline for each channel that I needed. I wanted a channel for each seam line. They were cut to the lengths that I needed for each seam. The ones in the front are shorter so that the boning stops at just below the bust. I then folded the crinoline in half lengthwise.


I then pinned the channel just inside the seam line. You cannot see the white on white marked seam line here, but trust me it's there! Then with my sewing machine, I sewed on each side of the channel, attaching it firmly to the interlining. Then, of course, just like all the other interlining pieces, used that as the pattern to cut out the dupioni.




I kept going and cut out all the pieces of the skirt again for the lining in the cream dupioni. (See the picture at the top of the blog.) My next steps are to: mark the cream dupioni with the seam lines so that I can baste the lining together and finish the skirt after DD tries it on; hand baste together the interlining and dupioni of the bodice; cut out the white dupioni for the bodice wraps; fold and baste the folds of the wraps down so that they are ready to attach to the bodice base; cut out the pieces of the lining for the bodice. Insert the bra and boning into the bodice. . . I can't even list everything here, but this is what must be done in order to be ready for DD's arrival in two weeks! OH MY, I HAVE SO MUCH TO DO!!!

Happy freaking out! (I mean Sewing!)

Saturday, February 22, 2014

The Wedding Dress -- Waistbands

So THIS blog is primarily for my DD -- but you can read it too. I spoke on the phone with DD yesterday afternoon and mentioned that we needed to decide on what kind of waistband we needed for the bridal skirt. DD commented that she didn't know what I meant. So, this blog will explain to her different types of non-elastic waistbands. Elastic waistbands are rarely used (if at all) in couture. They are more a staple in casual clothing and allow clothing to be pulled on without any fastenings. I am sure that there may be more types of waistbands than shown here, but these are the types that I am familiar with and that were available in my closet!

A common waistband is a fold over with a tab. Often used on suit pants and skirts, this waistband is strong and good looking. It is made by cutting a strip of fabric and folding it in half lengthwise. The front of the waistband is sewn to the skirt and the back is sewn to the lining of the skirt. This means that you don't have to hide any stitches in the seam allowance and there is less chance that a catch stitch will come through the fashion fabric. Sometimes this type of waistband has two buttons as shown, sometimes there is a hook and loop with a button. In the case of DD's wedding dress, a button closure would create more bulk than we would want to have. Snaps and hook and loops might work, but perhaps there are better options.

Another popular waistband is really band-less. This waistband is smooth and usually has a interface made of the fashion fabric so that you never see a change in color/fabric when worn with a tucked in blouse. Note that the interface is cut on the bias. It is also cut in two pieces -- one for the front of the skirt and one for the back of the skirt. This helps maintain the natural curve from the waist to the hip. This zip closure is on the side, if you had the closure in the back, you would want a 3 piece interface -- one piece in the front and two in the back. The zipper goes all the way to the top edge of the skirt, unlike the folded over waistband.

This third waistband has a sewn on folded over waistband as in the first option, but there is no tab and the zipper goes all the way to the top edge of the skirt. I see it as a combination of the two types above. The folded over waistband creates its own fashion fabric interface.





And, just as an aside, this is my favorite skirt. It was also the inspiration for the idea of DD's ruffled overskirt having a different fabric for the hem.

I'll let everyone know what waistband the DD picks for her dress and then, when the time comes to create it, maybe we can walk through it together.

Happy Sewing!



Friday, February 21, 2014

The Wedding Dress -- Field Trip to Vogue Fabrics


If you have never been to Vogue Fabrics in Evanston, Illinois, north of Chicago, it is hard to imagine a fabric store this big. The address is 718-732 Main Street and that alone should tell you it takes up an entire block. The photo above is of just one of several rooms. If I were not limited by the parking meter and lack of extra coins, I could spend an entire afternoon (and a large amount of money) in this place. As it was, I left with nothing. Yes, friends, I said "nothing". They were out of the cream dupioni that I need for DD's dress and they told me to order it on line and have it shipped to me. So that is just what I did. 

However, I still did a bit of poking around and found some really neat stuff, and took a few pictures of beaded trim that DD might like:




DD and I spoke briefly on the phone and she said that she would like a large beaded or sequined patch on the bottom of the bodice over the hip. But Vogue Fabrics didn't have anything there that I would work, so I suggested DD look on line and see if she could find something that she likes.

Happy Shopping! On line or otherwise. . .

Thursday, February 20, 2014

The Wedding Dress -- It's a Full Skirt!


I got the whole skirt together! Monica (the mannequin) is wearing the skirt since DD won't be here until March to try it on. I finally finished the bridal skirt around 4 PM today and sent pictures to DD. She is very happy! I wish that I could show you better pictures, but DD made me promise that I would never show pictures of the whole dress. Showing you too much of the skirt would make me guilty. (Sorry!)

So, tomorrow, I plan to make a field trip to Vogue Fabric in Evanston to get the cream colored dupioni. It will be a hardship, but I will try to enjoy it. If I get home early enough, I will begin cutting out the base of the bodice and working on the boning.

Yes, I know! There is still so much work to do and I am already celebrating finishing just the exterior of the skirt. Why? Because I need small victories!

Happy sewing!

Wednesday, February 19, 2014

The Wedding Dress -- Connecting the Skirt Panels


I started hand sewing the skirt panels today. Here are pictures of the four front panels attached. Since the dress is shorter in the front than the back, these are the three shortest seams. It took me about two hours to put these three panels together. Yes, that is a long time. Yes, I could have done it faster. No, it would not have come out as nice.

I think that it looks pretty good right now. If I am not careful, my seams may get out of alignment. That would leave pin holes where I don't want them to be. I also cannot press the fabric until DD tries it on and I have machine sewn the final seam. I don't want to creases in the fabric in case I need to let out a seam a little. You can see the the inside of the skirt in the picture on the right. In couture, you leave plenty of extra fabric until the dress' final fitting. Before completing the process, these seams will be trimmed, tacked down and hidden behind the lining.

I also got the wraps on the bodice cut out in the interfacing this morning. Tomorrow's goal is to cut out the wraps in the fashion fabric and get as much done on the skirt as possible. Could I actually get it done?

Happy Sewing!

Tuesday, February 18, 2014

The Wedding Dress -- Final Decision on the Bodice


As mentioned earlier, DD and I decided to try one last thing for the bodice. And boy, am I glad we did! Look at how much smoother putting in pleats as opposed to the ruching that we tried before. The silhouette is cleaner and looks much neater. Tomorrow, I will cut out the bodice in the interfacing, cut out the wrap pieces in the white dupioni.

If I complete all that, which is a good chance, I will begin hand basting the skirt together.

Happy sewing!

Monday, February 17, 2014

The Wedding Dress -- Today's Goal Accomplished


Mission accomplished!

It was a great day: I finished basting the last skirt piece by 4:00 PM. Nice to be done with this part for now. It went quickly enough that I feel confident that I will be able to finish the dress by the time that Dear Daughter gets here.

Earlier, I blogged about placing the pins perpendicular to the seam line. I said that this method kept blood off the dress. However, it also makes it easier to follow the seam line with the pins perpendicular to the seam vs. parallel to the seam. As you can see on the left, the fabric gathers up nicely when following the seam line with a needle. On the right, you can see that the parallel needle gets in the way of gathering smoothly.

Tomorrow the plan is to begin redoing the bodice with "folding" the wraps instead of the rouching. Hopefully, I will be able to get DD's decision quickly on what she wants so that I can cut out the wraps and get them cut out and basted.

Happy basting!